magic
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| + | ====== Introduction ====== | ||
| + | When people think of magic, they tend to think of a //" | ||
| + | Magic differs from this simplistic notion in a number of ways. On [[Nave]], //music//, //math//, // | ||
| + | |||
| + | Indeed, a small portion of //magic// is always present even in everyday life. On //Nave// there is no difference between a card trick and a //" | ||
| + | |||
| + | ════════════════════════════════════════════════════════════════════════════════════════════ | ||
| + | |||
| + | ====== Theoretical or "Raw Magic" ====== | ||
| + | The question is: Is there even such a thing as //"raw magic"// | ||
| + | |||
| + | Continuing to use //physics// as an example, you can isolate //physics// into a specialized field that only deals with the laws of physics—but are those a set of rules that reality must obey, or are they what one can derive from the current state of reality? | ||
| + | |||
| + | On //Nave//, one could ask if the laws of nature where put there by the [[Gods]] as a firmament for creation, or if the //Gods// themselves had to adjust their creation to the laws of nature—bending and sometimes breaking them to get their will through. The same questions can be asked in regards to magic. | ||
| + | |||
| + | In less words: On //Nave//, //magic// does not break the laws of nature, it is a part of the laws of nature. | ||
| + | |||
| + | ════════════════════════════════════════════════════════════════════════════════════════════ | ||
| + | |||
| + | ====== Reagents ====== | ||
| + | The use of reagents is—in a way—// | ||
| + | |||
| + | Perhaps most important to note of all, there are magical practices and schools which do not rely on these alchemical reactions and as a result do not consume // | ||
| + | |||
| + | ════════════════════════════════════════════════════════════════════════════════════════════ | ||
| + | |||
| + | ====== Magic Schools ====== | ||
| + | ===== Animism ===== | ||
| + | {{wiki:Tag Animism.png? | ||
| + | |||
| + | Simply put, the //Animism school// doesn' | ||
| + | |||
| + | ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ | ||
| + | ===== Demonology ===== | ||
| + | {{wiki:Tag Demonology.png}} As practical research related to // | ||
| + | |||
| + | ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ | ||
| + | ===== Dragon Magic ===== | ||
| + | {{wiki:Tag Dragon Magic.png}} Perhaps the only parties who may still have knowledge of //Dragon Magic// and its possible use during the //Imperial Campaigns// as part of the rise of the [[Tindremic Empire]] prior to [[The Conflux]] are [[Tindremic Empire#Alis – The Wings|the Alis caste]] of [[Tindrem]] or the underground [[Huergar|Huérgar]]. As both of these parties are incredibly secretive, what little in the way of outside knowledge which survived both //The Conflux// and //The Irruption// is mostly scholarly speculation. | ||
| + | |||
| + | Some // | ||
| + | |||
| + | There also exist rumors of isolated communities in the //Talus Mountains// which revere //Dragons// as [[Gods]], going so far as to collect their remains and worship them, praying for their return. Whether or not these communities actually exist is questionable, | ||
| + | |||
| + | ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ | ||
| + | ===== Ecumenical ===== | ||
| + | {{wiki:Tag Ecumenical.png}} The // | ||
| + | |||
| + | Prior to //The Irruption//, | ||
| + | |||
| + | ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ | ||
| + | ===== Elementalism ===== | ||
| + | {{wiki:Tag Elementalism.png? | ||
| + | |||
| + | It also encompasses the practice of using //elemental discernment// | ||
| + | |||
| + | Some // | ||
| + | |||
| + | --- | ||
| + | ==== Propulsion ==== | ||
| + | The study of condensing and quickly propelling //elemental energy// forward, a key component to many forms of //war magic// found across the known world thanks to the efficiency of the approach. | ||
| + | |||
| + | --- | ||
| + | |||
| + | ==== Emanation ==== | ||
| + | The study of emanating elemental energy within a space, creating a large area highly polarized toward one particular element. | ||
| + | |||
| + | --- | ||
| + | |||
| + | ==== Aggregation ==== | ||
| + | The study of aggregating condensed //elemental energy//, resulting in highly concentrated shapes. The resulting spells have a high degree of stability, allowing their effects to be more complex without risk of destabilization. | ||
| + | |||
| + | --- | ||
| + | |||
| + | ==== Arrangement ==== | ||
| + | The study of arranging condensed //elemental energy//, resulting in distinct formations. The resulting spells are remarkably stable, sometimes resulting in entirely solid structures. | ||
| + | |||
| + | --- | ||
| + | |||
| + | ==== Direction ==== | ||
| + | The study of actively directing concentrated and released //elemental energy//. Such methods are highly advanced, requiring incredible focus and concentration from the caster. | ||
| + | |||
| + | --- | ||
| + | |||
| + | ==== Polarization ==== | ||
| + | The highly controversial and widely forbidden study of manipulating the //elemental polarization// | ||
| + | |||
| + | ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ | ||
| + | ===== Harmonism ===== | ||
| + | {{wiki:Tag Harmonism.png}} // | ||
| + | |||
| + | In [[Kallard|Kallardian]] culture and the [[Kallard# | ||
| + | |||
| + | In the case of [[Nordveld# | ||
| + | |||
| + | ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ | ||
| + | ===== Illusionism ===== | ||
| + | {{wiki:Tag Illusionism.png}} The practice of // | ||
| + | |||
| + | ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ | ||
| + | ===== Mentalism ===== | ||
| + | {{wiki:Tag Mentalism.png}} The practice of // | ||
| + | |||
| + | ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ | ||
| + | ===== Necromancy ===== | ||
| + | {{wiki:Tag Necromancy.png}} Contrary to some expectations, | ||
| + | |||
| + | In other words: a // | ||
| + | |||
| + | A Necromancer most often uses [[Etherworld# | ||
| + | |||
| + | External //Kau// provides the needed connections and energy for the organic subject, but the willpower of the necromancer—transmitted by using // | ||
| + | |||
| + | This, however, would likely result in less control over the possessed body. Further, it is likely that a powerful Necromancer could manifest both the necessary //Kau// and // | ||
| + | |||
| + | ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ | ||
| + | ===== Spiritism ===== | ||
| + | {{wiki:Tag Spiritism.png}} // | ||
| + | |||
| + | // | ||
| + | |||
| + | ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ | ||
| + | ===== Staff Magic ===== | ||
| + | {{wiki:Tag Staff Magic.png? | ||
| + | |||
| + | ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ | ||
| + | ===== Symbolism ===== | ||
| + | {{wiki:Tag Symbolism.png? | ||
| + | |||
| + | ════════════════════════════════════════════════════════════════════════════════════════════ | ||
| + | |||
| + | ====== Understanding Magical Affinity ====== | ||
| + | Perhaps the most convenient way of understanding magical affinity is by comparing real-life and in-world aptitude for music and art to the practice of //magic//. | ||
| + | |||
| + | This section is a comparison of //magic// and //magical ability// to //music// or //art// and //musical ability// or //artistic ability// in real-life as a means of better explaining //magic// in the settings of //Mortal Online// and //Mortal Online 2// to **// | ||
| + | |||
| + | **While its implications are // | ||
| + | |||
| + | ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ | ||
| + | ===== Little or No Affinity ===== | ||
| + | === IRL / MO === | ||
| + | All people have heard music in quite a few forms. Simple rhythms, hums and haws, marching chants etc are probably the most basic expressions of //" | ||
| + | |||
| + | === MO === | ||
| + | If we compare // | ||
| + | |||
| + | Some examples of these prejudices might include //"all magic is evil"//, | ||
| + | |||
| + | ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ | ||
| + | ===== Slight Affinity ===== | ||
| + | === IRL / MO === | ||
| + | The next level range would be being able to sing at a half-decent or decent level, having an average sense of rhythm, being able to hear when something is really off-pitch, or being able to play basic tunes on an instrument. This might constitute //70%// of a population. | ||
| + | |||
| + | === MO === | ||
| + | In the world of //magic// this would translate to being able to sometimes—more or less unconsciously—perceive and recognize some of the small magic events occurring in your close vicinity; a feeling of //" | ||
| + | |||
| + | Perhaps this is somewhat comparable to real-world feelings of //déjà vu//, jamais vu, or //mild mental dissociation//, | ||
| + | |||
| + | Common people on //Nave// understand that there' | ||
| + | |||
| + | For instance you recognize that there is a [[etherworld|hidden spirit world]], but how to communicate with it is beyond your knowledge. You may have seen small funny creatures in the marketplace that can actually grow their tail in the blink of an eye—and when the //Animist// in the other tent shows you the same trick with her fingernails you may feel that this is //magic//, whether by potions or by spellcasting. | ||
| + | |||
| + | Yet again, how all this works is beyond you—just like being able to bring out speech from symbols on a parchment, or draw things so that some seem to pop out of the painting and some seem to disappear in the distance, may be a great mystery to you. | ||
| + | |||
| + | This could be said to be the natural base level for the //Alvarin// and //Sith// races. | ||
| + | |||
| + | ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ | ||
| + | ===== Natural Affinity or Slight Training ===== | ||
| + | === IRL / MO === | ||
| + | Next are the // | ||
| + | |||
| + | In short, your musical sophistication is quite high. Let's say //4%// of the population. | ||
| + | |||
| + | === MO === | ||
| + | If we translate this into //magic affinity//, at this level you have a more tangible sense of the //magic// around you, but still haven' | ||
| + | |||
| + | If you panic or are in critical situations you might trigger greater effects, but without any direct control. We have now covered //99%// of the population, with the exceptions following. | ||
| + | |||
| + | ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ | ||
| + | ===== Exceptional Affinity or Significant Training ===== | ||
| + | === IRL / MO === | ||
| + | Here are the good, professional musicians. For instance people being able to compose, improvise, or sing in harmonies to tunes in real-time. At most //1%// of the population. | ||
| + | |||
| + | === MO === | ||
| + | About //1%// of the population knows how to cast //" | ||
| + | |||
| + | The skill of using // | ||
| + | |||
| + | It is also worth to mention that certain //magic// has been more or less institutionalized—although only a small portion of //magic// could ever be. For instance, all //medics// in the [[Tindremic Empire|Tindremic Army]] go through a rigorous course to learn //healing spells// by the use of // | ||
| + | |||
| + | Not everyone succeeds—but more importantly—learning how to cast a specific spell by memorizing strict thought patterns, movements and appropriate handling of a certain reagent does not equal, or require, actual knowledge about //magic// in the greater whole. It would in some cases be a good start, however these people are not considered to be //" | ||
| + | |||
| + | Many spells in the // | ||
| + | |||
| + | For the [[Khurite|Khurites]] this level would be representative for most //Angaqs// or shamans, although their magic is both powerful and reliable. The difference from many other magic users is that //Angaqs// are powerful within a certain area—or school—that has been refined through many years of tradition, and furthermore harmonizes well with their life and surroundings in general. | ||
| + | |||
| + | It is arguably much easier for a //Khurite// acolyte born and raised in a tribe to master these traditional spells and rituals under the supervision of an //Angaq// than it is for an acolyte in [[Tindrem]] to learn any deeper theories behind flinging // | ||
| + | |||
| + | ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ | ||
| + | ===== Prodigal Affinity or Lifetime Training ===== | ||
| + | === IRL / MO === | ||
| + | Real artists, having practiced meticulously for more than a decade, having studied music and practiced composing for years to be able to write unique and original songs or arrangements for orchestras, those born with prodigious talents in composing, those with absolute pitch, masters at one or more instruments, | ||
| + | |||
| + | As they are quite few, most likely fewer than //1/1000// or //0.1%//, they would probably attract a lot of people when performing in a city. | ||
| + | |||
| + | === MO === | ||
| + | At this level you will find //mages// who have studied for a long time, probably within one or more //schools of magic//. They have the ability to improvise //magic// and draw upon other sources of //magic// than // | ||
| + | |||
| + | Here are also //prodigal mages// that seem to be born with //magic//, wielding it like it was an natural extension of their mind, finding appropriate reagents as if being able to smell them. Such a native affinity is | ||
| + | extremely unusual for //Humans//, though slightly more common for the //Alvarin// and //Sith//. | ||
| + | |||
| + | ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ | ||
| + | ===== The Pinnacle' | ||
| + | There is also at least one massive difference between the two worlds and subjects. With music, you could say that your musical sophistication and knowledge deepens when you study and practice, even beyond a certain level. You get even better at playing faster, or you can handle even more complicated tunes or rhythms. You certainly benefit from reading musical theory, mathematics, | ||
| + | |||
| + | Your compositions may get ever more complicated, | ||
| + | |||
| + | With //magic//, in many aspects it is the opposite. If you learn the // | ||
| + | |||
| + | In this aspect both //magic knowledge// and // | ||
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| + | ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ | ||
| + | ===== Summary ===== | ||
| + | Everybody knows something about music, and it's hard to draw a line between the different stages in musical sophistication. Generally speaking, the more you learn the better you get, your theoretical knowledge may expand exponentially, | ||
| + | |||
| + | Conversely, most people know about //magic// but don't know what it is, or the natural rules governing it. Few people learn //magic// although most have the physical and mental ability to do so. A few //magic spells// can be memorized—similar to playing a short tune on a flute ten thousand times—leading to actual results but without gaining any deeper understanding of the processes behind it. | ||
| + | |||
| + | Being able to control //magic// in a wider sense, however, is extremely hard to learn up to a certain point, most people simply don't find the time or experience the urge to do it, unless they have some natural ability that drives them—and beyond that point you almost have to find a tutor. If you are among those few who pass that somewhat vague critical point though, your knowledge and power will expand // | ||
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